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Showing posts with label Matt Damon. Show all posts
Showing posts with label Matt Damon. Show all posts

Friday, 17 July 2026

(film review) - The Oddysey

As some of you may know, Christopher Nolan is one of my favourite directors. Bar two films, I've seen everything he's directed, and I'll get around to those eventually. What I never thought I'd say, though, is that I'd be halfway through a Christopher Nolan film thinking, "Yeah... this one isn't for me."

Don't get me wrong, I really liked 'Oppenheimer', and I enjoyed 'Dunkirk', but neither reached the heights of 'Tenet' for me. I know Tenet divides opinion, but I absolutely loved it. Yes, Nolan maybe pushed audiences a little too hard with that one, but I was completely on board.

This? Halfway through, I genuinely wasn't. Something just wasn't clicking. I couldn't put my finger on what it was, but I remember thinking, "This isn't connecting with me at all."

Then something happened. It's like someone flipped a switch.

By the time the credits rolled, I'd gone from questioning whether this was for me to walking out saying, "That was amazing." Let me explain.


The story opens on a beach, where Elliott Page's character encounters advancing soldiers near the Trojan Horse. Fatally wounded, they manage to utter one final warning—that the horse is a gift. Naturally, the Trojans accept it. From there, Nolan does what Nolan does best, jumping across timelines as we're introduced to Odysseus' home, his family, the aftermath of the war, his legendary bow, and the trials he and his men must endure on their long journey home, all while exploring his defiance of the gods and the consequences of his choices.


I'll be honest—I don't know The Odyssey particularly well. I know bits and pieces, but it's been years since I've revisited the story, and I genuinely wondered whether my lack of familiarity was hurting my enjoyment. Maybe it was that. Maybe it was simply the way the narrative unfolded. Whatever it was, I wasn't invested... until I suddenly was.

By the final act, I was completely hooked. In fact, if one particular moment had gone the way I feared it might, I'd have wanted to flip a table in the cinema. There weren't any tables, thankfully, but the rage would've been real.

I genuinely have no major negatives.

The Cyclops sequence was the first moment that completely floored me. Without venturing into spoiler territory, the design alone was enough to make me feel genuinely uncomfortable. It was unlike any Cyclops I've seen on screen before, and it was honestly terrifying.

Then there are the giants in the forest.

You've seen them in the trailers. You've seen them on the posters. Trust me... you haven't seen them. That entire sequence is astonishing.

But the standout moment of the entire film comes later. It's graphic, brutal, incredibly tense, and, in my opinion, the best scene in the entire movie. I was completely captivated. Matt Damon's Odysseus has spent the whole film trying to get home (like other Matt Damon films — trying to get home), and for the first time, I genuinely believed he might not make it.

The remaining trials are all handled brilliantly. Some are visually stronger than others, but every challenge feels distinct, memorable, and cinematic.

Performance-wise, everyone turns up.

Regardless of where people stand on Elliott Page personally, their performance here is exceptional. There's one particular scene that absolutely had me invested emotionally and reminded me just how talented they are. The only thing that didn't quite work for me was one brief running sequence at the end of it, which I did not buy, but that's about as nitpicky as I can get.


Matt Damon is excellent throughout, while Anne Hathaway, Himesh Patel, Charlize Theron, Tom Holland, Jon Bernthal, and Robert Pattinson all bring their A-game whenever they're on screen. The cast is stacked, and it absolutely delivers.

Ludwig Göransson's score is phenomenal. At this point, the man simply doesn't miss. Every emotional beat lands exactly where it should.

If you've seen Christopher Nolan's work before, you'll know linear storytelling isn't exactly his thing. Even Tenet, arguably one of his more straightforward films structurally, literally plays in reverse. The Odyssey is no different. It jumps around, trusts the audience, and never spoon-feeds you.


Visually, though, this might be one of his most breathtaking films yet. The crashing waves at the beginning instantly reminded me of 'Inception', while the forests, landscapes, and sequence involving Elliott Page are absolutely stunning. You can also tell just how much of this was achieved practically. Yes, CGI is used where necessary, but Nolan's commitment to doing as much as possible in-camera gives the film a scale and authenticity that's becoming increasingly rare.

The giants alone left me wondering, "How on earth did they pull that off?"

What surprised me most is just how much this film grew on me. I genuinely thought I was watching my least favourite Christopher Nolan film... only for it to completely win me over.

I'm already considering seeing it again.

And if this really is only the beginning of Nolan's take on this world, then I want him to direct every single sequel, spin-off, or connected story. Because if history has taught us anything, it's that when Christopher Nolan commits to a world, you're almost guaranteed something ambitious, unforgettable, and worth watching.

Monday, 8 May 2023

(trailer review) - Oppenheimer




The last Christopher Nolan movie did not go down too well due to many MANY things. We are talking about the film, Tenet. Personally, I really liked the film, but I firmly believe, Chris Nolan was being too arrogant and full of himself, demonstrating how great of a film director he is and what he can do as a storyteller, because in the end, during a pandemic he ultimately fell on his face when I am guessing, he could have avoided it. See my Tenet review as to why. However, this movie looks great. It is giving me Stephen Spielberg-esk vibes and does not seem to be wrapped up in the sci-fi or time theme of it all. If you have not noticed, Nolan seems to have a thing for time.


The man who created the Atomic Bomb. This is a chance to learn more about the when, the how and the why. Imagine, being the person who could create such a devastating device. I guess it was a different time back then and we are yet to find out the answers...maybe, but to look back at it now, I am sure there are a lot of people who are appalled and disgusted by what man has done. The world is a crazy place right now and there are wars going on, but to think, during a time of war, a country (or a few, we will see) decided, we need something to completely eradicate the enemy and their forces...and you are the guy who comes up with the idea. A definite must-see for me.



Sunday, 27 September 2015

(film review) - The Martian

What have you done for me lately, Ridley? Some of us have these thoughts when we think of Ridley Scott. The guy who brought us some great and classic films such as Alien, Blade Runner, Thelma & Louise, Gladiator, Black Hawk Down and American Gangster. So what was your last few films Exodus: Gods and Kings? The Counselor? Prometheus? Although I didn’t think Prometheus was that bad, but it wasn't a classic nor great. So, again. What have you done for me lately, Ridley?Ridley has done, nothing! And people are starting to think that this great director has simply run out of juice. Well, fear not, because The Martian might be his return.

The Martian is about a man named Mark Watney (Matt Damon) who with his team are out on a mission on Mars, but becomes stranded by himself when his team leaves him behind. Being the only human on Mars, Mark the Martian must figure out a way to survive and also return back to earth or die on Mars.

The premise is pretty simple and with that said, makes you wonder, ‘Is there anything else to this film?’, ‘This film is going to be pretty boring, right?’, ‘Can Matt Damon carry an entire film by himself?’, ‘He is no, Will Smith!’. Well, rightfully implied in the trailers, Matt isn’t by himself as there is a team trying to figure out a way to get him back to earth. Also, although this film is 141 mins (just over 2 hours and 20 minutes) long, this film does not feel long at all. The film gets straight into it at such a steady pace, you do not once think about the time. There is suspense, there is unexpected comedy elements and there is a lot of character in this film. Very clever script writing, directing and screenplay. At the end of the film, I actually wanted to clap for Ridley Scott. Like, literally stand up and cheer for him as the film I had just watched was soo entertaining, I felt it was necessary. I didn’t, but I did think it.

Although this film didn’t leave me gripping the seats whilst sitting on the edge of it like Gravity did, this film reminds me of Cast Away (not that I have seen it) fused with Gravity. I think what made me love the film more than the visuals and the story was Mark and his character as well as the supporting cast. Jessica Chastain, Chiwetel Ejiofor, Sean Bean, Jeff Daniels, Michael Pena. The casting was brilliant as every character brought something to their role, or at least, every character had a pivotal part to play. I do feel that Sebastian Stan was a little under used, but that is probably due to the great performance he did as The Winter Soldier (Great film by the way). I felt very relatable to Mark and I actually felt like I was going through this situation with him. The film was very grounded, although set in space. I felt like he was the every guy voicing the things an every guy would do in his predicament. All the trials and tribulations, I was experiencing these with him.

It is out on the 30th, so go and watch it. If you don’t like it, honestly, there is definitely something wrong with you (although I know movies are subjective). A brilliantly Directed film by Ridley Scott. Well done, Sir.





Monday, 8 March 2010

(Vintage Film Reviews) - The Departed

This film stars 6 big actors from past to present. We have (1)Leonardo DiCaprio as Billy Costigan, who has most definitely left his whipped attitude from Titanic to the exact opposite.

We also have a (2) Matt Damon as Colin Sullivan who plays a streets smart, straight 'A' student who has graduated from the Cadet Police Academy.
Once graduated from the Cadets, Colin went to join the police force among many other Cadets, however, things aren't what they seem to be. Billy also goes to join the police force, but for what reason, as he was kicked out of the Cadets?

With such a clean history Colin, the straight 'A' student, joins the force as well as Billy. However, Billy has a turbulent and troublesome history so to think he wants to serve and protect is somewhat a joke! Nevertheless he is hired and then "fired" from the police force to then serve time in prison.

The villain is (3) Jack Nicholson as Frank Costello, who is the Irish Mafia Mob head honcho.



Can you imagine a ruthless Irish Mafia Mob boss who runs the city with an iron grip?
Can you imagine this happening over a long period of time and the police trying to bringing the mob down but no avail?
Can you imagine moles working in both units till things start to become apparent, that each unit has an enemy in it?
Which mole will discover the other mole first?
Which mole will have to Depart?



This is where everything gets tricky.

A mole is working for the police, but the police also have a mole in their Special Investigations Unit led by (4) Alec Baldwin as Ellerby, who is watching Costello's every move. This means, Costello is watching those who are watching him. Ellerby's boss is (5)Martin Sheen as Captain Queenan, who has contact with Costello's henchmen.

With both moles working deep undercover, both moles start to feel the pressure of living a double identity. As one climbs up the ladder in the Police force, the other starts to struggle with his job and how he hasn't had much help, so both moles jobs and lives are at risk.

Things get slightly more interesting and intriguing when Colin starts to date this psychiatrist then she moves in with him, but then when Colin is torn between work, loyalty and his girlfriend, Billy then comes into the picture and starts to see said psychiatrist for counselling.



It is a film of cat and mouse, Loyalty, Power, Decisions & Deception. The film has more twists than a telephone cord and some elements to the film make you think, "so, hold on a Minute!?!". I felt the story did drag a little in the middle to justify the longevity of the "Get Costello" project, but it is well written, smart and edgy and will definitely keep you entertained throughout, especially, the final scenes.

All starring actors which also includes a very very very aggy (6)Mark Walburg as Dignam, Queenan right hand man with a permanent chip on his shoulder, play their parts very well.

29th November 2006 12:14am

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