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(trailer review) - Dune: Part 3

Tuesday, 17 March 2026

(trailer review) - Dune: Part 3

 




How incredible does this look? I watched this trailer twice… well, I got near to the end, rewound a bit to catch something, and then watched it through again—because I said to myself, “Why does that face look familiar? Who is that? Wait a minute… isn’t that Robert? Wait, that is Robert Pattinson! I didn’t know (or likely forgot) he was in this!” Although this franchise has already delivered two great films (and a TV show I haven’t watched), and I’m aware there’s much more to the story, the storytelling and directing from Denis Villeneuve is doing its best to carry the weight of everything that comes after to "conclude" the story. That’s based on what I’ve learned—not read—but even so, while I was intrigued by the trailer and excited by that reveal, it didn’t quite land for me. The franchise is starting to feel a little long in the tooth. It’s like I already know what to expect at this point: great music and score, great acting, great storytelling, and bold, immersive cinematography and visuals that feel completely real. But aside from introducing new characters, what is this trailer really giving us beyond being a teaser? Maybe I just want more than a teaser trailer—which is probably a testament to how excited I am for the franchise.

The trailer opens with Chani in the arms of Paul as they discuss their pregnancy and potential names for the baby—Leto, if it’s a boy, is a nice tribute to Paul’s father. There’s some imagery that might suggest Leto’s ring in a scene, followed shortly by a group being led by Paul as he says, “War feeds on itself.” We then see images of battle: a tower firing on attackers, preceded by shots of bodies on the ground—charred, or perhaps frozen and stiffened in some kind of solidified liquid. The next shot shows a long, diamond-shaped ship flying into space toward a massive structure, giving a real sense of scale. Over this, Paul speaks to his mother, asking for advice—a moment that’s echoed later when he wonders what his father would have done, admitting that the more he fights, the more his enemies rise against him. We get a glimpse of Robert Patinson as Feyd-Rau followed by two groups of men facing off—one possibly led by Stilgar. Then comes the line from his mother: “Your father never started a war.” More stunning shots of large-scale battles follow, along with a brief look at Anya Taylor-Joy as Alia and the unexpected return of Duncan Idaho, training or fighting with Paul. Princess Irulan appears, walking with clear determination—likely driven by vengeance. Feyd-Rautha is seen again among what looks like the Fremen, and there’s a brilliant shot of Chani, ready for battle with a fierce, warrior-like expression. But the standout moment is Paul ascending the steps before addressing thousands upon thousands of followers. The scale is immense, and as he declares, “I am not afraid to die, but I must not die… yet,” it just feels epic—simply epic. I think I’m most excited to return to this world and be immersed in its lore again. While this is only a teaser trailer, I need a bit more substance to fully enjoy it. Maybe I’m asking for too much—I just need to be patient and wait. The music is already playing in my head.

Thursday, 19 February 2026

(trailer review) - House of The Dragon: Season 3




Sometimes I watch a trailer and, when I’ve finished, I don’t know what to say or where to start. Sometimes this is due to excitement or boredom, but on this occasion — and specifically with House of the Dragon — I am excited and intrigued. Although the seasons feel very short (season one had 10 episodes, season two had 8, and now this season also has 8), I’m pretty sure a lot of us just want more and more and MORE. How long will this series go on for? I’m pretty sure none of us care because the show is THAT good. I suspect it’s a budget issue more than anything, but we lovers of this world need the politics and the deaths, the chance to side with those we gravitate towards and curse those we hate for being little sh*ts. And that final shot of Rhaenyra Targaryen spoke volumes… somebody is going to get hurt real bad.

The trailer starts with Aemond Targaryen sitting on the Iron Throne. His mother, Alicent Hightower, walks in and he asks about Rhaenyra’s whereabouts. Rhaenyra tells her council that Alicent was at Dragonstone and that she will allow them into King’s Landing so Alicent can surrender. However, Rhaenyra’s eldest son warns her that Alicent is not to be trusted, believing it to be a trap. The king has abdicated the throne, followed by shots of dragons and armies, a dragon burning men, and Daemon Targaryen saying, “You are the Queen of Dragons,” as he plunges his sword downward. Corlys Velaryon is shown aboard his ship in battle, and then we see various clashes until Alicent tells Aemond, “Sooner or later, Rhaenyra will send her new dragons here. It will be the end.” There is an incredible shot of a dragon swooping low over the sea during a naval battle, a dragon rider screaming “Dracarys!” I believe we see the King’s Hand — or possibly the head of the Kingsguard — killing someone on the battlefield, Corlys looking back in horror, Daemon screaming, someone diving into the sea, and a lot of flame. Lastly, Daemon says to Rhaenyra, “This is the moment you become queen,” while her face shifts from pain and grief to absolute anger and determination. If I were to award any actor for their performance, Emma D'Arcy would take the win on micro-acting alone. June is a long wait.

Wednesday, 18 February 2026

(film review) - Send Help

So I am going to admit this first before I get into it: I did not plan to watch this movie. I had seen the trailer, and I do not mind a Sam Raimi movie, but I can do without and wait, you know? Kind of like an M. Night movie. I am definitely not saying Sam is hit and miss like most will say (or argue) M. Night is, but I feel like I have to be in a Sam Raimi mood for his dark and quirky humour. Even though I was not aiming to watch this and I was not really geared up for this movie, I had a very good time with it because Sam brought that Drag Me to Hell energy to this, and it is some truly twisted fun. I’ll explain.

Linda (Rachel McAdams) has been working for the company for several years, CEO has passed away, and his son has stepped in to run the company. Repulsed by her but willing to give her a chance, he invites her on a trip to finalise a merger, but during the trip, their plane crashes en route and the pair are stranded on an island. Whilst on the island, they fight for survival.

When I watched Marvel’s Doctor Strange in the Multiverse of Madness, there were elements in that movie that were horror-esque and I had mentioned this in my review. Sam loves squirting blood and using grotesque imagery that makes you squirm or cover your eyes but still peek through your fingers while laughing. Sam Raimi is like Tim Burton, only with added flourishes of comedy and horror. His films may not be for everybody, but they do have a uniqueness to them.

In typical Sam Raimi fashion, there were a few jump scares, but the puppetry and imagery have that cartoonish quality—borderline comic-book style but also horrific. A tiny example (and slight spoiler): there is a jump-scare moment and immediately after, a look to the camera. Absolutely cartoony, but if you know how Sam Raimi directs, it is bound to give you a laugh. Needless to say, the cinematography, imagery, and setting are excellent. At the beginning, there were some nonsensical close-ups, but accompanied by the music, everything simply gels together well.

The acting: I recognise the man from something, but I cannot quite pinpoint where just yet. Rachel McAdams, however, is astounding in this. I have seen her in other roles, but I felt she truly brought it here with a varied performance. The quiet moments, the crazy moments, the anger, and the tears—she brought it all to the screen and, for me, stood out and carried the entire movie on her back. The guy is somewhat one-dimensional: funny in moments, but his character is not necessarily someone you are supposed to like. Dylan O'Brien of Maze Runner fame is who he is.
All in all, this movie is great to watch by yourself or with your significant other. I can only assume that during the movie you may need to re-evaluate yourself or your place in the relationship, because I definitely wondered who I would be in a “stranded on a desert island” scenario. Enjoy.

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